Sprawa Szymka Bielasa

At the time when Człowiek na torze [Man on the Track] was being made, the erosion of orthodox aesthetic canons began with the social and observational layers. This is exemplified by two works characteristic of this period: Braun's Lewanty [The Levant] and Ścibora-Rylski's Sprawa Szymka Bielasa [The Case of Szymek Biela…